Peter Royds (FS 62-67) has sent his recollections of the school choir  and makes an appeal:
          
   “I joined  the school choir when I arrived at St Bees in late 1962. It was directed by  Donald Leggat, the resident music teacher. He was an excellent, if uncompromising,  choirmaster. The choir consisted of about forty boys, spanning all age and  vocal ranges, and two masters, A.N.R. Dearle and M.H. Cotterell. We practised  in Old College Hall, a large first floor room joined onto the Priory Church and  sharing its ecclesiastical origins. We sat at choir stalls arranged in two semi  circles round Don Leggat, at his piano, smoking when the pressure was on. Over  in the school chapel, the choir pews were in an alcove next to the organ.  Occasionally, we went to sing at local churches. I remember Boot church in  particular. There was a special quality to the sung evensongs held periodically  in the Priory, enhanced by the "Willis" organ.
  
          I have a photograph of what is obviously a choir practice in Old College Hall.  It was taken in early 1963, and has "T.V. Times" stamped on the back.  I can name most of the faces but had to pass on three. There was a lot of  activity around this time in preparation for the (sixth) St Bees Festival of Music.  The President of the 1963 Festival was Sir John Barbirolli. It was supported by  the Arts Council. There was a group of patrons comprising the great and the  good, and an organising committee chaired by the Headmaster, J.C. Wykes.
          
          The 1963 Festival took place at the end of the Easter term. When the rest of  the school went home, the choir moved into the Foundation. The orchestra may  have done so also. It consisted of over forty players gathered from near and  far. Four soloists (voice) were also engaged. Donald Leggat was  "Conductor, artistic director and Festival manager". There were five  concerts at St Bees, two on Thursday 4th April and three on Saturday 6th. The  finale of the concert on the Saturday was an abridged version of the Gondoliers.  These all took place in the Memorial Hall. On these same two dates, there were  evensongs in the Priory. In between, on Friday 5th, the choir performed with  the orchestra and soloists at Carlisle Cathedral along with the Cathedral  choir, where the first performance of Prof. Patrick Hadley's cantata  "Lenten Meditations" was given. He was moved to tears by the  performance. From St Bees, we went to the Whiteworth Hall at Manchester  University for a final concert on April 8th. J.C. Wykes played in the  percussion section of the orchestra and Eric Middleton (chemistry teacher) with  the violins.
          The apparent gift of total recall of the detail of these distant events is  illusory. I still have the various concert programmes! One of them lists all  the boys in the choir, which also greatly assisted in matching names to the  said photo.
          
          I thought the best place for this material was the school archives and Dr  Reeve, the Archivist, now has custody of it. I also donated sundry school,  house and team photos, with names where possible; and I've parted with my Upper  VI Latin prose exercise book, complete with A.A. Cotes' fastidious comments and  marks out of twenty. There were only three of us in that class.
          
          My reason for writing this piece, however, is to find out if anyone still has a  set of the recordings which were made of the 1963 Festival concerts by  Audivision Developments (Oxford) Ltd/Alpha Records. There are none at the  school. If they are not extinct, it would be timely, on the fiftieth  anniversary of the Festival, to transfer a set onto cd for anyone wanting a  copy, and for the archives. Can anyone help? (peterroyds622@hotmail.com).
          
          Donald Leggat's time at St Bees ended after G.W. Lees succeeded J.C. Wykes as  Headmaster. It was said that he was not such an avid supporter of the choirmaster's  musical ambitions for the school as his predecessor had been. I saw Don  Leggat's name several years later on a poster for a concert at the Edinburgh  Festival by a school/group from N. Ireland. Don, a bachelor, lived in rooms in  the house at the far end of Lonsdale Terrace. I recall his Rover 105 (mentioned  by John West in a previous issue) because I was driven in it. Don used to take  two members of the choir out for high tea at the weekends.
          
          One of the concert programmes mentions that the choir had been booked to appear  on Border T.V. on Sunday 10th March 1963. I don't remember that at all,  but I'm sure someone will. Clearly a possible link there with the T.V. Times  stamp on the back of the photo.
          
          The civilised ethos of the choir was not, sadly, characteristic of the  mainstream life of the school at that time, as I recall it. It was very  difficult to take seriously, in the mid 1960s, the culture of curious and  outmoded privileges, power structures (which included fagging) and punishments  (runs and beatings), which had more in common with the nineteenth century  system of transportation to New South Wales. But others may remember this era  fondly.”